AMD/Rehearsal Pianist/Keys 1 for Les Misérables at Truro School
June 2022 - November 2022
I was Associate Musical Director, rehearsal pianist and I played Keys 1 in Truro School's production of Les Mis. I stood in as rehearsal pianist when the MD was ill, and so I sight-reading and quick-thinking were a necessity! I led vocal warm-ups, worked with a choreographer and made decisions about additional music in vamps.
I learnt, "on the job", how to lead effective vocal warm-ups and become a better rehearsal pianist.
This is a video from closing night:
Referee: Ben Oldfield (Head of Drama/Director) Email
MD/Rehearsal Pianist at Musical Theatre Dublin (MTD)
I was MD and rehearsal pianist for a youth theatre group in Dublin, in a production of "Annie Jr."
As MD, I led vocal warm-ups, taught the cast songs and harmonies, provided vocal coaching, worked closely with the director, provided one to one support to the singers, arranged new harmony parts, and accompanied for the two shows.
I honed many skills with this group, but especially my vocal warm-ups, ability to sight read quickly, and multi-task (i.e play and give notes)
Here is a bit of harmony that I arranged for the closing number:
I am now employed as MD with this theatre group each summer.
Referee: Pam Monaco (Artistic Director) Email
Reference: "Ollie has been one of my best students yet! Throughout the two courses this summer, he learned to be a proper music director/accompanist for musical theatre productions. He learned the best warm-ups to use, how to stretch voices, transpose for various voices, and write in harmonies and extra flourishes into the music. He works extremely well with people and not only cooperates but proposes new ideas as he understands the group dynamic intuitively and knows where the student actors need to be rehearsed and led."
Assistant Musical Director for an Opera/MT group in Cornwall
I was shadowing an MD as Assistant MD for a group of singers called MJUK for the Chris Treglown Foundation Fund. A mixture of Opera and MT, this broadened my MT repertoire greatly. I was coached on a proper accompaniment/sight-reading technique from the MD, as well as being able to play for many of the singers' solo and group numbers in rehearsals and performances.
I also learned a lot by observing how the MD worked with the singers individually, and as a group, as well as learning new vocal warm-ups.
Referee: Will Sharma (Conductor/Repetiteur) - Email